Constructing Walking Jazz Bass Lines Book IV - Building a 12 Key Facility for the Jazz Bassist Book I
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Constructing Walking Jazz Bass Lines Book IV - Building a 12 Key Facility for the Jazz Bassist is a II part series for the electric and upright jazz bassist.
The books illustrate the key areas which should be practiced in 12 keys
for the bassist with professional goals in mind.
The new II Part series takes building a solid foundation to the next level.
Building a 12 Key Facility for the Jazz Bassist is the 4th installment in the Constructing
Walking Jazz Bass Lines series, and is a II part series.
Book I Building a 12 key Facility for the Jazz Bassist breaks down the jazz bass vocabulary
by outlining key areas of harmonic structure related to the jazz standard and bebop styles.
As in the earlier books in the series the lesson material builds in a stepwise manner enabling
the student to build on the solid foundational material discussed in books I - III.
All lessons are applied to all 12 keys with written out bass lines applied to 10 jazz and
bebop standard chord progressions with over 150 choruses of written out bass line examples.
By practicing the material presented in this book, Book I of the series the bassist builds
technical facility and expands on their jazz vocabulary by practicing the key harmonic
structures used most often by jazz bassists in the jazz standard and bebop styles.
Presented in this book and outlined with written out examples in all 12 keys are the
fundamentals required by the professional jazz bassist.
The II V I in major modulating to II V I in minor
Voice Leading
The I VI II V over 2 and 4 measures
The I VI II V progression and the secondary dominant chord
The V of V cycle
The I IV III VI progression
The bVII Dominant 7th chord & the IV Minor bVII7 progression
The IV Minor bVII7 progression
The IV Major to IV Minor bVII7 progression
Turnarounds into the II IV & VI chords
Diatonic chord structures & the II V into the IV chord Bridge
Tritone substitution
Tritone substitution chord progressions
Accents, phrasing & anticipating the chord changes
The Minor key tonality & the Minor II V progression
The descending Minor II V I Bridge
Tritone substitution of the Altered dominant chord.
Table of Contents Book I
Chapter 1
Voice leading 7th chords & the major II V I progression in 12 keys
Chapter 2
The II V I in Major modulating to the II V I into the Relative Minor
Jazz standard no. 1 in digital form
Applying the II V I in Major modulating to II V I into the Relative Minor
Chapter 3
The I VI II V progression in 12 keys
The I VI II V progression in over 2 bars
The I VI II V progression in over 4 bars
Chapter 4
The I VI II V progression and the secondary dominant chord
The V of V cycle
Applying the use of Secondary Dominant chords
Jazz standard no. 2
Chapter 5
The I IV III VI progression in 12 keys
Chapter 6
The bVII Dominant 7th chord & the IV Minor bVII7 progression
The IV Minor bVII7 progression in 12 keys
Chapter 7
The IV Major to IV Minor bVII7 progression in 12 keys
Chapter 8
The turnaround into the II chord & the application of the I IV III VI progression
Jazz Standard no. 3
Chapter 9
The turnaround into the IV chord in 12 keys
The application of the turnaround into the IV chord in 12 keys
Jazz standard no. 4
Chapter 10
The turnaround into the VI Minor chord
The application of the turnaround into the VI Minor chord
Jazz standard no. 5
Chapter 11
Diatonic chord structures & the II V into the IV chord Bridge
Jazz standard no. 6
Chapter 12
Tritone substitution in 12 keys
Tritone substitution chord progressions in 12 keys
Examples of tritone substitutions applied to the bridge of Jazz standard chord
progression no. 7
The application of tritone substitution in 12 keys
Jazz standard no. 7
Chapter 13
Accents, phrasing & anticipating the chord changes
Applying accents, phrasing & anticipating the chord changes in 12 keys
Jazz standard no. 8
Chapter 14
The Minor key tonality & the Minor II V progression in 12 keys
The Minor II V I progression in 12 keys
The application of the Minor key tonality & the Minor II V progression
in 12 keys
Jazz standard no. 9
Chapter 15
The descending Minor II V I Bridge tritone substitution of the
Altered dominant chord
The application of the descending Minor II V I Bridge
tritone substitution of the Altered dominant chord
Jazz standard no. 10
In Conclusion
Constructing Walking Jazz Bass Lines Book V
Building a 12 Key Facility for the Jazz Bassist Book II
available soon
Building a 12 Key Facility for the Jazz Bassist Book II is dedicated specifically to chord
and scale studies in 12 keys.
Featuring major scale studies and modes, minor scale studies, diminished, wholetone and
augmented scales.
With written out examples of how to practice the scales, chords and modes in all 12 keys.
