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Jazz Walking bass lines in 12 keys - The complete 3 book set 

Constructing Walking  Jazz Bass Lines complete set.    Jazz Bass Lines in 12 keys   $49.95  save  32% 


Book I - The blues in 12 keys

Book II - Rhythm changes in 12 keys

Book III - Standard Lines 

3 book set complete with over 360 choruses of jazz walking bass lines completely  written out  featuring   jazz  standards , bebop, latin jazz, the blues in 12 keys and rhythm changes in 12 keys.


Reader Testimonials of the Constructing Walking Jazz Bass Lines Series


5.0 out of 5 stars A very Comprehensive and Practical Method for beginner and intermediate/advanced bass players, September 24, 2011

By 

Jahrah7 - See all my reviews

This review is from: Constructing Walking Jazz Bass Lines Book III - Walking Bass Lines - Standard Lines - The Modes & the chord scale relationship method (Volume 3) (Paperback)

I am highly recommending Steven Mooney's method for Constructing Walking Bass Lines Book I The Blues in 12 Keys, Book II Rhythm Changes in 12 Keys and Book III Standard lines which I purchased mid July and I am eagerly awaiting Book IV. If you can read music a little bit or read TAB, this is the Method for YOU. 

Steven's approach is masterly crafted to ensure that you are playing strong Bass Lines right out of the Gate in all Twelve Keys with numerous exercises to reinforce each and every concept whether Theoretically and/or Harmonically in a very Comprehensive and Progressive approach including clearly written directions of the various concepts for the thoroughly written out exercises. As we all know, we all learn by doing. Steven's method provides numerous exercises to keep each and every aspiring Bassist enthuse about Learning and Creating Walking Bass Lines.

I have worked with literally over twenty different method books and Steven Mooney's approach is definitely the best of the best that I have worked with. It is very player friendly throughout and it is masterfully crafted! In addition to a lifetime's work going into creating these books more importantly is the willingness to patiently share this knowledge with others that makes all the difference and Steven should be very, very proud of that accomplishment.

In addition I am truly having the time of my life with these books and I have only just begun!!! So many varied exercises to reinforce the concepts, techniques and sight reading among others! 

Moreover, it is a lot of FUN! Steven SHARES the Mysteries of Understanding and Creating Melodic Walking Bass Lines. I personally find it challenging to stay away from his books but I know I should actively be working on Simandl, Ray Brown, Rufus Reid, Harvey Vinson, John Goldsby, Chuck Sher, Ed Friedman, Bunny Brunel, Bob Magnusson, James Jamerson and Jamey Aebersol methods as well!!! 

Enjoy! 


July 24, 2011

5.0 out of 5 stars Mr Mooney's Latest Tool for the Jazz Bassist

By 

Richard T. Harris - See all my reviews

This review is from: Constructing Walking Jazz Bass Lines, Book 3: Walking Bass Lines- Standard Lines- The Chord Scale Relationship Method, Bass Tab Edition (Paperback)

"Standard Lines" is the 3rd installment of Steven Mooney's "Constructing Walking Jazz Bass Lines" series. Here's hoping it is far from the last. The book details many techniques that are a revelation to the aspiring bassist, and a good review for the advanced musician. For example Part 1 starts, innoculously enough, with the subject "How to Construct the Triads off the 
major scale". Mr Mooney walks the reader through that subject detailing both the notes for the triads used and a nicely done example. Mr Mooney also goes into depth here by explaining chromatic approaches walks up and down. In the next section, we find the Scalar approach, which details the technique for the bassists usage of using scales as a foundation as opposed to triads. 
Part 2 outlines the use of Symmetric and Melodic Minor scales. Diminished and Whole tone scales are covered for the avid reader. Part 3 covers Be Bop Scales. Is Hip Hop the grandchild of Be Bop? Someone should answer that burning question, but I don't expect Mr. Mooney to do so. He applies himself quite well to the serious subjects at hand. Part 4 is Jazz Bass line examples over Standard Jazz Chord Construction. In this section we find exercises for the bassist that are both challenging and therefore interesting for all bassists. 
Mr. Mooney's latest book is a must read for all of us who ply the "Dark Strings". I keep opening all three of his books for education and fun playing. I'm sure you will also.


5.0 out of 5 starsJazz Bass Lines, 

15 May 2011

By 

Ironmad Wilkinson

This review is from: Constructing Walking Jazz Bass Lines Book I: The Blues in 12 Keys - Double bass & Electric bass Method (Paperback)

I am currently learning upright bass and learning to read music - this is the perfect book. I have created the chords behind the exercises in GuitarPro and it has really helped me to get a good understanding of jazz bass lines. I have looked at many books out there, but this really is the best I've come across.


5.0 out of 5 stars Highly Recommended Jazz Bass Series,  April 15, 2011

By 

The Jazzer - This review is from: Constructing Walking Jazz Bass Lines, Book 1: Walking Bass Lines- The Blues in 12 Keys Upright Bass and Electric Bass Method (Paperback)

Recommending both Book 1 (The Blues in 12 Keys) and Book 2 (Rhythm Changes in 12 Keys) as a pair for building a firm foundation in learning how to play Jazz bass lines: 

The 12-bar blues and "Rhythm" changes (coming from "I Got Rhythm") are two of the fundamental building-block progressions in Jazz. Together, they form a basis for understanding much of Jazz. These progressions, or portions of them, are used again-and-again throughout the Jazz repertoire. Yet, it is nice that so many variations are given on the basic A-part of the Rhythm Changes progression, since that is the way it really gets played: not just the same lines repeated over-and-over. 

I am particularly pleased that all the examples are completely written-out note-for-note; whereas in many books by other authors, an example will be given in one key with the other keys being left up to the student to figure-out! I always found that to be extremely frustrating. 

Writing-out all the bass lines instead of just the chord symbols lets the student learn the actual melodic motion of bass lines in the way that they are really used. The use of scale-type phrases, chromatic lines, occasional wide interval leaps, and rhythmic variations (such as quarter-note triplets and dotted-eighth/sixteenth notes) ...in full context... really puts it all in proper perspective. It shows how those devices are actually used! That's the stuff people learn-from through specific examples! Then once the student becomes familiar with it all and gets the hang of it, he or she should be able to call on these ideas in increasingly improvisational and hence musical ways. 

The books will be very useful in learning these specifically important Jazz progressions in every key, which practically every Jazz teacher tells me I should do! Many years of Jazz music-theory training gives me enough insight to recognize that the given examples will be very useful tools in gaining a good grasp of the melodic nature of walking bass lines. Additionally, the appearance and lay-out are comfortable to look-at, which makes it all easier to read; and I like the Jazz fonts!


5.0 out of 5 starsAn invaluable resource to the aspiring jazz bassist

January 9, 2011

By 

Midwest Book Review (Oregon, WI USA) - See all my reviews

This review is from: Constructing Walking Jazz Bass Lines, Book 1: Walking Bass Lines- The Blues in 12 Keys Upright Bass and Electric Bass Method (Paperback)

"Constructing Walking Jazz Bass Lines, Book 1, The Blues in 12 Keys: A Comprehensive Guide To Constructing Walking Jazz Bass Lines for the Double Bassist and Electric Jazz Bassist" is a complete 12-key guide to techniques and devices used to construct walking jazz bass lines in the jazz tradition. 

Part I, the Blues in F, presents exercises and techniques known to help create robust jazz bass lines, moving forward while retaining a solid rhythmic, harmonic foundation. Part 2, The Blues in 12 Keys, expands further the lessons of Part 1, providing previous techniques and devices used in professional level bass lines in all 12 keys. The practical and ambitious aim of "Constructing Walking Jazz Bass Lines" is "to give the aspiring bassist a solid grounding in understanding how to construct walking Jazz Bass lines and support a melody and or soloist (p. 97)." The Book concludes with sage advice, "Listen to as much music as you can, Listen to the masters (p.97)." 

Included is full notations with enharmonic chord symbols for more than 150 choruses of jazz blues lines in all 12 keys, using the whole register of the instrument. "Constructing Walking Jazz Bass Lines Book 1" is an invaluable resource to the aspiring jazz bassist, with potential for learning teaching and great practical application. 



5.0 out of 5 stars An Essential Jazz Bassists Book,  October 3, 2010

By Richard T. Harris - See all my reviews

This review is from: CONSTRUCTING WALKING JAZZ BASS LINES BOOK I WALKING BASS 

LINES: THE BLUES IN 12 KEYS (Paperback)

First of all, the title is a bit of a misnomer. Yes, there are transcriptions of 
Blues in all twelve keys. The transcriptions are 3 to 5 pages each. But what 
the beginning to intermediate bassist will find most usefull are the 33 pages, 
at the beginning of the book, demonstrating the various devices that Jazz 
Bassists use to construct effective bass lines. The Advanced player will 
welcome the books interesting exercises to use for keeping the chops up. 
Steven Moody, the author, guides the reader through exercises including 
Chromatic Approaches, Dominant 7th Chords, Harmonic anticipation, 
Voice leading tones, and Tri-Tone Substitution. Mr. Moody's book gives 
clearly written directions of the various techniques,followed by bass clef 
progressions that detail the examples. All the examples are interesting 
and go beyond the usual straight 4 beats to the bar that unfortunately fill 
up many of the books that I've purchased. I can see that this book will end 
up as dog-eared and ragged as my copy of Simandl, from repeated use.

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